Good grandsire, leave these bitter deep laments: Make my aunt merry with some pleasing tale.
Please, grandfather, stop these deep laments: Make my aunt laugh with some happy story.
Young Lucius · Act 3, Scene 2
Young Lucius, a child, begs his grandfather Titus to stop lamenting and tells him a happy story instead. The moment matters because the boy's innocence is the only thing still untouched by the play's violence. His plea shows what Titus has lost—not just his hand and his dignity, but the ability to be the grandfather this child needs.
What violent hands can she lay on her life? Ah, wherefore dost thou urge the name of hands; To bid AEneas tell the tale twice o'er, How Troy was burnt and he made miserable?
What violent things can she do to herself? Why are you even talking about hands? To make AEneas repeat the story again, Of how Troy burned and he was made miserable?
Titus Andronicus · Act 3, Scene 2
In his house with Lavinia, Titus is at once commanding and hallucinatory, turning each word mentioned into a wound. Marcus suggests Lavinia harm herself, and Titus recoils—then spirals into comparisons to Troy and AEneas, showing how language itself has become a weapon. His madness is becoming clearer, more theatrical, as he grasps for control through elaborate metaphor.